MAN ABOUT TOWN

Screening as part of the festival’s Next Gen program of ‘mature, intelligent cinema chosen for the young and the young-at-heart,’ Taika Waititi’s latest feature, Boy is a delightful, engaging and thoroughly charming coming-of-age story about an 11-year-old Maori boy whose heroes are his absent father and pop star Michael Jackson. When his dad – who Boy imagines as a rugby captain, deep sea diver and war hero – arrives home unexpectedly after spending the last seven years in jail, our young hero is forced to confront the truth about the man he thought he knew and must face the future without the hero he’d been hoping for. Set in 1984 on the East Coast of New Zealand, and beautifully evoking both period and sense of place, at its heart Boy is a story about families and the nature of love, though it begins as a comedy, and a very funny comedy at that thanks to Waititi’s superb ear for dialogue and strong performances throughout. Childhood flights of fantasy are brought to life through ...

I didn't see anywhere near as many films in 2010 as in previous years, as a consequence of investing more heavily in the performing arts over the past 12 months, but I still managed to get to the cinema 56 times to see a range of new releases and festival-only flicks. More than most people, obviously; considerably less than my many professional film-reviewing friends. Since I missed out on quite a few of the so-called 'best' films of the year (e.g. The White Ribbon , Un prophète ) I'm going to list my personal favourites - the films that most moved or excited me - rather than claiming that these are the absolute cinematic highlights of the year. In the order in which I saw them, then, here's my Top Ten for 2010: Precious (Dir. Lee Daniels, USA, 2009) A harrowing film about redemption, Precious is the story of an obese, illiterate African-American teenager (Gabourey Sidibe) who is pregnant to her own father for the second time; whose mother belittles and beats ...